Rem Broo's illustrated FML
Hello everyone! I hope you had an amazing week because today we're welcoming an amazing artist. The comic we're publishing today was made a month ago, during the hot, reassuring summer, but we kept it, we took good care of it, and we thought you'd like it when the terrible S would be back on track. I mean September, of course. Don't worry, our artist of the day knows just how to make you feel better. Thanks to his comic, we're travelling straight to US Route 66, somewhere between laughter and awesomeness.
-What are your name, surname and nickname?
-I'm Remus Brezeanu, but my comic pen name is Rem Broo. I had to come up with a nickname since here in Germany a lot of people can barely say my name, specifically my family name and I don't think in America, where my comics' target market is, it would be any different so I used a simplified version of my name.
-So, you live in Germany but you're not German? Where do you come from?
-I'm originally from Romania and I moved to Berlin in 2008 (and yes, I still don't speak the language).
-Why did you move to Germany then? And don't tell me it's only because of the beer.
-Surprisingly, since I've moved here, I drink more wine than before. Anyway, the story is quite complex. Back in the days, me, my girlfriend at that time, and a bunch of friends, wanted to move out of Bucharest, the capital of Romania and we wanted to move to another city. After a while we ended up in Berlin... Maybe we had too much beer on the night we decided to do so. We were a group of guys willing to start an animation studio and Berlin seemed fun and cheap. But the animation studio was never realised, and from the bunch of guys just me and my ex-girlfriend survived here. So now I'm stuck in this great city.
-That's quite an interesting story. What do you do for a living?
-When the animation studio became just a dream, I found myself into a new city, without knowing the language, or anybody around... And bills to pay! So I did what I do best: comics. Even thought it's not easy money. And while cumulating a lot of debts with friends and the bank, I managed to improve my drawing skills and to learn by myself what comics actually are.
-But you don't work alone, right?
-I do the drawing and the colours too but I prefer to have a scriptwriter to pay me for drawing their idea. Luke Herr is one of the scriptwriters I've worked with. The reason I've thanked him in the comic is that he helped me to improve the dialogue. Together we worked on a webcomic called Sociafist, but I've never finished the third issue. Other projects came along and I decided to put Socialfist on hiatus. I also think that during the time I started the webcomic, my drawing skills become better and better, and I felt like the graphic style in Socialfist doesn't represent me anymore. Then I met James Asmus and Jim Festante, the writers I worked with on "The End Times of Bram and Ben"; it was published at the beginning of this year at Image.
-How do you work?
-I work both ways. I used to draw traditionally, but the moment my income started to get scarce, I had to find a cheaper and faster way to draw. But what I mostly do now is to use pencils traditionally, then scan it, then add digital ink and digital colours if necessary.
-Now, last question! I know, how sad. Why did you choose this story?
-Initially I made a short list of 4-5 stories. And then I did what I do every time: I took refuge inside my mind and I mentally created the drawings for each story. This one specifically made me feel like it was allowing me to express myself the most, plus I found it the most hilarious. During all this creative process I've connected the cop character to one crazy character I did in "The End Times...". That's how I knew this was the story I wanted to do.
-And you turned it into a fantastic comic. Thank you Remus for taking part!